stay sick presents ten inches of mean sleaze and kookie far-out bongo blasters.

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rawax welcomes william cycedo to the family! with his fantastic track on the rawax x slapfunk - slap wax ep 1, william convinced us to requst a full artist ep. well...here it is: bag of boom ep - a hell of a debut!

echocord’s echo echo sub-label continues with its third releases this august, courtesy of german producer and credo founder alex bau with his ‘zenstory’ ep. germany’s alex bau has been a prominent name on the underground dj circuit on his home turf, and further afield, for three decaces as well as racking up an impressive back catalogue as a recording artists for labels like cocoon, clr, sleaze and of course his very own credo label which has been a platform predominantly for his own material whilst welcoming the likes of kyle geiger, takkyu ishino and electric rescue onto the imprint also. here though we see bau joining the roster of echocord’s fledgling sub-label echo echo with a new four-track ep and taking the lead on the package is ‘clouds’ with pulsating low-end tones, hissing analogue noise and dusty drums samples all flowing in unison with ethereal chords and sweeping pads. ‘contour’ follows, tipping the focus over to bubbling delayed stab hits, fluttering sub bass and evolving white noise bursts throughout. the ‘prelude’ of ‘zenstory’ opens the flip side and as the name would suggest it’s a cinematic build up to the title-track featuring tension-building, expansive atmospherics ahead of the original mix which features a thumping muted kick, stuttering atmospheric echoes and spoken word vocal tucked into the depths of the record.

and in other news...those bad ass rodents are back with another batch of cut n paste unclassics for the discerning disc jockeys out there. packed full of sleaze and with max potential for body popping moves, the only bombs these bushy-tailed bad boys drop are on the dance floor.

julian sanza and andre espeut, are two very familiar names in the scene. julian, who hails from argentinian/cuban roots and andre with his french/caribbean heritage, come together to merge electronic dance, modern funk, soul and boogie, creating their own unique melting pot of goodness! there s something distinctly anthemic about perfect system . low slung, synthed up funk, with a house tinge driven by those sweet soulful vocal harmonies - sure to get stuck in your head for days. opolopo opens up the e.p. adding his trademark disco remix magic touch to the original - upping the tempo, laying a shuffling beat behind, pumping up the bassline and getting spiritual on the keys. on the flip the situation remix channels the inner improv funk, keeping the vocals to choice snippets before the sare havlicek dub rounds the e.p. off reworking the bass synth to the point where it exudes the sleaze. this is the first in a series of collaborations between these two… keep those eyes peeled!

times of innocence etire en avant is a track by i:cube from 1996 recorded straight to tape, when he was still doing music in his bedroom at his parents house. this slow jam contains french hypnotizing aerobic lyrics combined with a funk filtered sample, perfect for a tantalising disco sleaze late night set. on the flip side, abel from the infamous red light records amsterdam offers us a surprising re-jam based on the original xxxx track released last year on the oeil cube ep speeding it up from 33 to 45 rpm, and then extending it for maximum effect. from cinematic slow boogie to proper boogie monster.

helrad limited is a scottish-based electronic dance label and has been created by helrad for releasing underground techno tracks. the pivotal aim is to provide and focus the efforts on selecting top quality pieces of production. the first release is produced by the label owner helrad and containing one track and 2 loop based dj tools with dope and atmospheric analog synth sequences. also, three stunning and fantastic remixes produced by some of the best producers in the underground scene. legendary techno veteran and techno maestro steve stoll , who recently produced on nina kravitz ’s golden trip records, delivered a storming and powerful dark, proper techno remix with a tremendous and massive effect on the dance floor arena. stanislav tolkachev ,techno pioneer from ukraine who has recorded on top-notch labels, such as semantica and mord records, handed over an experimental and psychedelic minimalistic dj friendly remix with magnificent modular analog synth sequences which can easily flirt with the crowd’s mind. hans bouffmyhre , sleaze records owner and established artist within the worldwide techno scene deliveres a top class remix with his unmistakable bass drum, in addition to an organic arrangement and epic ethereal pads and chords.

following on from releases on mary go black, novamute and sleaze, charlotte de witte continues her streak of stripped back techno on this latest ep for suara music. the heart of mine ep leads with the dark stomper this. a simple and very effective twisted workout. the title track heart of mine, is typical of her trademark style. pounding kicks, stark synths, and snatches of uplifting vocal. the ep closes with the lewis fautzi remix of this. its atmospheric and crunching sound rounds of this solid techno release.

tartelet records is 10. to celebrate a decade in the cut, they re out a home run of new material from label mainstays & fresh signings in 2018. to kick things off, the label is enormously proud to set free endless light –– a new record from oakland newcomer space ghost.
coming on like a brainchild to dam funk & mutant beat dance, ghost s sound falls off the shelf between a number of distinct reference points: lone s early tropical synaesthetics, the modern funk of funkosphere, the intimate tapes out of ppu. in a sea of soundcloud copycats, he s a revelation.
endless light is a record with an open hand: an instantly appealing sound from a new producer with a highly-tuned ear. born of his collection of antique synths & drum machines, the space ghost experience channels a deep heritage of 1980s funk minimalism & analogue boogie. velvet pads, hood-rat sleaze & heaped spoonfuls of soul.

sha d underground trax comes forward with his first private pressed release, hailing from birmingham with a passion for basslines and vocals, the scalpel ep aims to deliver just that with a mix of electro, freestyle & boogie cut up, chopped and reworked focusing on the drums and raw basslines while bringing the silky vocals to the fore and removing all the cheese, for those of you who buy records looking for the dub versions or step pettibone remixes this is the perfect record for you, built by the dance floor for the dance floor, late night low slung sleaze business.

rolling through to our sub-label, textasy explores the midwest electro axis, with a club ready two tracker of new wave techno bass (featuring dj dijital) and busted sleaze bag jungle.

correspondant welcome berlin duo hinode having established themselves with a string of well received cuts on their own science fiction imprint, they were spotted by chance by label boss jennifer cardini on a recent record-shopping jaunt. with a raw, no-rules sense of machine funk running through everything they create, theyre the perfect match for correspondant and make their label debut with four numerical delights…i lights the analog fire with raw sleaze and off-beat mischief. unkempt and wily, it sets the tone for the entire ep: ii writhes snake-like with its slinky kicks and purring textures, iii slurs with bass groans and shakes with paranoid, alien melodies while iv closes with much more of a tunnelling, sense-blurring experience. total machine harmony, unbounded synthetic creativity, made to mix and wholly outer-planetary… hinode and correspondant are a match made in the stars.

nicholas returns to church with a six track mini lp. correspondant welcome berlin duo hinode having established themselves with a string of well received cuts on their own science fiction imprint, they were spotted by chance by label boss jennifer cardini on a recent record-shopping jaunt. with a raw, no-rules sense of machine funk running through everything they create, they’re the perfect match for correspondant and make their label debut with four numerical delights. i lights the analog fire with raw sleaze and off-beat mischief. unkempt and wily, it sets the tone for the entire ep: ii writhes snake-like with its slinky kicks and purring textures, iii slurs with bass groans and shakes with paranoid, alien melodies while iv closes with much more of a tunnelling, sense-blurring experience. total machine harmony, unbounded synthetic creativity, made to mix and wholly outer-planetary. hinode and correspondant are a match made in the stars.

ntroducing mr. eff. part myth, part man. dragging by the arm to safety through digital swamps and haunted houses, the parallel stands as a singular vision of miltonian proportions. small vignettes and passing scenes give way to grandiose and beautiful moments, from the wave-sleaze of midnight predator to the pre-credits suicide-tribute of h e a r t t h r o b, the parallel works as much for drive time as it does for drifting off to a far off land that is both wonderful and strange. not to be ignored. art by eric. a lee.

after launching into memory box with aplomb on the deadly acid stomp 12inch, robin ball steps up on the london-based imprint once again with the saucy tones of his latest four track ep. drop it down low and its accompanying dub mix are classy twists on the tech house formula that lean towards old-skool methods while keeping the sleaze factor ramped up high. remember takes a more tripped out tribal approach, with the vibes mix providing a more subtle twist to the warm, melodic undulations of the full fat version. it s an ep loaded with personality and flair for sophisticated dancefloors.

one-man electro sex machine egyptian lover has been doing the rounds of european festivals this summer, bringing his distinctive brand of hardware sleaze to a new generation of dancers. it seems fitting, then, that his latest 12- includes previously unreleased versions of live show favourites -seduced- and -belly dance- (both of which originally appeared on 2015 album 1984). the a-side boasts -remix- and -instrumental- versions of -seduced-, both of which are typically 808-heavy and include the eccentric producer s usual middle eastern inspired synthesizer melodies. on the b-side, the la veteran has slipped in an extra-long version of -belly dance-, a spacey, punchy and cowbell-laden workout in his trademark style

pbr streetgang return with their first original material of 2017. a limited 300-only pressing on their own bespoke label, streetgang jams ‘late night party line will be the first single from the long-awaited pbr debut album set to be released in december 2017. a party banger for the discerning dance floor with a killer baseline, a seriously hooky diva vocal and a distinct whiff of 80s night club sleaze, this is one of the most distinctive and daring releases pbr have ever made. hot off the back of their acclaimed lost property releases, support and plays have come far and wide from paul woolford, bicep, gerd janson , midland, tensnake, man power, paramida and crazy p

weÆre now halfway through the treisar series and moscoman shows no sign of slowing down. next up is donkey jumps ahead. the sixth chapter kicks off with big jack arbon, an unambiguous summer anthem tied up by digital steel drums and pitched chants. on the flip, things forgot to be this way calls for the never-ending daze of the afterhours with disco infused melodies and distant vocals floating atop doped down beats. closing track unheard melody sets a different pace. wistful mediterranean guitars pick unhurried melodies while delays cloud the track in just the right amount of sleaze.

mytron & ofofo debut on bordello with an intoxicating blend of sleaze and synth, disco and depravity. airforce one smoulders. dripping in funk, samples and smooth keys are bolstered by burbling bass for a track that glides and slides in glazed steps

brassica is a trusted staple in the field of outboard house and techno, from time served on labels as esteemed as dissident and civil music through to more recent outings on feel my bicep and others. here the uk producer has been snapped up by vivod for four tracks of deep analogue house and electro to warm the cockles a treat. coco diaz is a tightly wound jam that hinges on a broken beat, while splash opens out into a blissful melancholic reverie. nothing to say amps up the sleaze and the acid a treat before blue function heads into more trippy soundtrack territory

released in 1981 and seamlessly blending passion, sleaze and synths, this was the stunning debut album by the influential duo soft cell. the album‹s critical and commercial success was helped by the worldwide success of its lead single single µtainted love‹, a cover version of a soul song by gloria jones, which topped charts worldwide. the album produced two more wonderful top five singles in the uk in the shape of µbedsitter‹ and µsay hello, wave goodbye‹. meanwhile the infamous µsex dwarf‹ caused something of a national furore. bravo, soft cell!
180g, back to black vinyl with an mp3 download voucher

seance presents its fourth ep of quality underground techno. * original material from dutch duo monoline. *this release features flug as the main remix artist. the argentinean born spain based artist has an impressive body of work featured on labels such as clr & sleaze and delivers a fine rework of the title track ‘speech cobras’.

lossless releases # 004, 005 & 006 all bundled up for one special price!

killer edits for the discotheque from love creation. anyone who s heard dj harvey play this year will know hypnodance . beached provides you with the perfect intro track and b2 i wanted to tell her brings the sleaze. big tip!

waxwork records presents the original motion picture score to the howling composed by pino donaggio (carrie, dont look now, tourist trap), waxworks new, deluxe vinyl release of the howling has been expanded, re-mastered for vinyl, pressed to 180 gram colored vinyl, and features full package artwork by francesco francavilla.

one of the most intense tunes by sven sossong’s album „atropa is lifted for this remix-ep - „world . the original is warm and spheric breaks-techno piece of art, but now we are coming up with 4 strong remixes. frankfurt-based frank savio adds a solid groove and restages the main theme into a powerful peaktime remix. the welderz from paris give the next contribution. they released on labels like flash rec., analytic trail rec. and sleaze, and here they are in the game with a dark and driven interpretation. two further remixes are done by the close environment of sossong: kenny b and daniel cuminale. both catching up the epic mood and define the track newly by bringing in the personal notes. it rocks!

„after impressing with releases like high times and the hustle ep, young berlin talent vincent vedat returns with what might be his best release to date. mixing equal parts sleaze and sensuality, the porn-themed 69 packs in six delicious dalliances into one tidy package. the title track kicks off in heady fashion, heavy on the atmospheric layers, trademark vedat replayed samples and throbbing kick drums. moody porn goes for that heavily swung, wonky / woozy house sound. gmym gets more energetic with infectious percussion, rough tape sounds and soulful vocal cuts. unisex channels classic us garage swing and bump in a wonderfully deep way with gorgeous chords and no need for a bassline. dreamy porn steps things up a notch again with hazy vocal samples, detuned bass warbles and sweet synths. sweet agony pits heavily distorted electric piano chords against a dulcet vocal refrain, a truly beautiful juxtaposition.“

second split ep with effective club music from core members tobias gullberg & danny downey jr. enjoy!

berlin-montreal connection continues… parages music comes back this year with its 10th release with a debut ep from sloppy j, jonattan levingstone mysterious brother. he delivers three banging and dusty house cuts including a killer remix from dj honesty. dancefloor alert !

nice price deal !!! limited edition pressing of 300 copies.

sexazoid, a name that we’ve seen in writing on the streets of stockholm now finds its way to the world of music, with synthetic sounds from a metal chamber dripping with pheromones. fine acidic house sleaze!

bass culture reach that magnificent milestone of 50 releases with an extra special ep from someone who has become part of labels inner circle, the infallible mr g. set up in 2009 by paris stalwart djulz, bass culture records has maintained a consistently high level of music, crossing from techno into house and back again, always with a focus on quality over quantity. mr g delivers two special gems from his arsenal of weaponary to mark the 50th bsss culture release. the first, * transient* sees mr g in contemplative mood, taking a studied approach with this deep, soulful cut. softened pads are drizzled over a punchy low end, with tough, crisp beats supporting a stirring vocal which urges everybody to get up on their feet. the nineties organ lick gives it an almost sorrowful feel, and those pads continue to takes us up to the skies. a beauty. on the flip, * crumple zone* goes straight for the jugular with a driving b-line, alarming stabs and finger-clicking percussion to get that head nodding. combined with garbled, hypnotic vocal clips, its a mesmerising, eyes down cut for the late night heads. towards the latter part of the track, a naughty riff comes in and adds another layer of sleaze to proceedings. and there you have it, mr g proves yet again why he is such a all-round don and bass culture celebrates 50 releases with panache.

big remix package of the recently released album of mtd including remakes by bas mooy (mord, clr, 47), subjected (electric deluxe, vault, sleaze, affin), kessell (polegroup, granulart) and vsk (perctrax, planet rhythm, ear to ground). limited translucent red & smokey marbled vinyl with no re-press.

a joint effort here as both trip city records andboogie cartel pop the 12&#8243,,,,, cherries with this four track ep from the music obsessive collective. the late night grind ep focuses on some stripped back house and boogie business, heavy sleaze, on this white vinyl 12&#8243,,,,, with artwork from cardiff based kelly havard jones.

madeira-born robert s makes his konstruktiv debut after appearances on sleaze, arts, planet rhythm and his own robert limited imprint. moderna is straight shooting techno, hard-hitting with hints of rolling funk and a bleak contrast to the sun-drenched portuguese setting that saw its inception.

seance returns to follow up its first release with another ep of quality underground techno, this time with two original tracks from the talented: alfred kopke (reaktivate / relapso) accompanied by a real heavyweight remix from germany s subjected (vault series / sleaze)

2015 has been a busy year for soul intent. relocating from nottingham to bromley, releasing -the fruit club ep- on lossless in march, his -wanna fight ep- dropped on klute s commercial suicide in august, the sci-fi themed -replicant- marked lossless music s first digital only release in october and his -late night sleaze ep- has been awarded mixmag s dnb tune of the month (nov 15 issue). on top of all this alex is about to launch two (yes two!!) sub-labels for lossless music. the first of these is exkursions. exkursions will cater for the deeper, more experimental side of dnb & electronic music. though concentrating it s tempo focus around the 170 mark exkursions will also be taking explorations down into slower soundscapes. the first release is a 3 tracker from soul intent and the tracks have already turned the heads of respected selectors including doc scott, presha, loxy and logistics. we won t say much for than that, we ll let the music do the talking.

a classic house track gets a re-release and an extra special edit from bass culture owner d julz. the edit of chicago groover * dont let love pass you by* from master c & j has been a staple of d julz sets for quite some time now. over time more and more people have asked about the track and he duly responded to demand by not only clearing his rework for release, but also signing up the original to be reissued via his label. so we have the original version, which oozes chi-town sleaze, remastered for 2016 together with the superb edit by the man himself, d’julz. need we say anymore?

remixes by flug (clr, soma, sleaze), christian wunsch (polegroup, tsunami), a. mochi (figure, sleaze) and mtd (sonntag morgen) on strictly limited transparent green vinyl - no repress!

more vinyl-only dopeness from colonel wrong face and the just jack crew. serving up the heat this time is berlin based producer rydim, a man who’s been stirring up dance floors and releasing records for over a decade now, both as a solo artist and also collaborating with 2 friends under a very popular, super hush-hush pseudonym (it’s a secret yeah, so we ain’t telling you nuffing!). detroit’s jared wilson brings home the bacon on remix duties, turning out a deep acid sleaze-fest for the discerning earlobe. pack your wellies cause that 303 shit is squelchy.

luigi madonnas production talents are glistening with releases on well-known labels such as drumcode, octopus, analytictrail, sleaze, suara and more.

pure sleaze from west end circa 1976! how funny can sex be? fully re mastered for 2015 and re released in conjunction with west end. this is one of the most in demand titles of west end s vast catalogue and you ll soon see why

one per person pls ... blazing edits from the infamous denis simachev bar resident lipelis out of moscow. fast disco, end of the nighters, and heavy freak vibes fill this plate and it s sure not to last long. a must for your sleaze arsenal. tip!

multipurpose french techno artist leghau plants his name in the heads of a large public thanks to a string of releases on various international respected labels such as figure, sleaze, skryptom & credo. supported by a lot of key producers, his music is a blend of various influences and styles that gave him much respect and bookings for huge events and in clubs as techno parade in paris, the rex club and berghain.

huge remixes by flug (clr, sleaze), kessell (polegroup), joachim spieth (affin) and dave tarrida (tresor, sativae) on strictly limited coloured vinyl!

a joint effort here as both trip city records andboogie cartel pop the 12 inch cherries with this four track ep from the music obsessive collective. the late night grind ep focuses on some stripped back house and boogie business, heavy sleaze, on this white vinyl 12 inch with artwork from cardiff based kelly havard jones.

2015 ist das jahr des neuen albums von alex bau, das ende april seine definition von modernem, intelligentem techno mit einem düsteren und zugleich auch organischem touch präzise definiert. ein klares bekenntnis zum sound. frei von hochglanz-bildern und ablenkenden elementen kommt dies album mit techno in seiner unverfälschten, puren form mit einem einzigen fokus: die musik selbst! nach 5 jahren quasi überfällig ist es definitiv an der zeit, daß einer der am meisten für ihren sound respektierten technoproduzenten nach mehr als 100 produktionen und remixes auf szenerelevanten labels wie chris liebing s -clr-, techniasia s -sino-, dem englischen technoaushängeschild -sleaze records-, dem legendären harthouse oder auch kürzlich auf sven väth s -cocoon recordings- nun erneut ein techno-statement in form eines full-length-albums zu setzen. und genau hierfür kam nur eine plattform in frage: alex eigenes label -credo-, das vor allem in den letzten beiden jahren mit seinen eindrucksvollen releasaes mehr als durchgestartet ist.

monster!! 2015 repress .. gary beck remixes dj rush and the result is a slamming and all destroying weapon. red transparent vinyl. the one track release is relentless. a heavily distorted kick drum underpins numerous ride cymbals and snare roles that nestle in between a crisp hi-hat and snapping snare. dj rushs sleaze-laden vocal flits in and out of the mix with with archetypal beck panning-delays. the original >she is fine< was released on rush’s kne’ deep label in 2007. six years on, 2013 sees gary beck work one of his toughest releases to date.